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The film moves between genres—from romantic comedy to erotic drama to sci-fi thriller—while always seeming a little Nicholson plays Daryl Van Horne, a wealthy and frighteningly charming lout who becomes romantically entangled with three dissatisfied local women, the informal coven of Cher, Susan Sarandon, and Michelle Pfeiffer. Watch it on: Available to rent Happy Death Daydirected by Christopher Landon This surprisingly witty Blumhouse hit has all the elements of a slasher movie: a masked killer on a college campus, goofy jump scares that exist mostly to fake out the audience, and a ditzy cheerleader named Tree Gelbman Jessica Rothe who is the first to die. Happy Death Day is both an excellent example of its subgenre and a smart parody, taking the kind of character that is, usually, cruelly dispensed with and turning her into a self-aware heroine.

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The film moves between genres—from romantic comedy to erotic drama to sci-fi thriller—while always seeming a little Nicholson plays Daryl Van Horne, a wealthy and frighteningly charming lout who becomes romantically entangled with three dissatisfied local women, the informal coven of Cher, Susan Sarandon, and Michelle Pfeiffer. Watch it on: Available to rent Happy Death Daydirected by Christopher Landon This surprisingly witty Blumhouse hit has all the elements of a slasher movie: a masked killer on a college campus, goofy jump scares that exist mostly to fake out the audience, and a ditzy cheerleader named Tree Gelbman Jessica Rothe who is the first to die.

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Happy Death Day is both an excellent example of its subgenre and a smart parody, taking the kind of character that is, usually, cruelly dispensed with and turning her into a self-aware heroine. Coupless at the time partly because it was marketed as soft-core porn, Season of the Witch is a strange, sardonic work about a listless housewife named Joan Jan White who grows interested in witchcraft.

This later work is one of his most underrated, and succeeds despite being low on gore.

A tense thriller set on an airplane, it follows a woman Rachel McAdams who flirts with a stranger Cillian Murphy before a plane ride home; when she boards, she finds him sitting next to her and harboring sinister intentions. The cat-and-mouse story is enthralling because of its two talented le, even though ridiculous action twists await in the third act.

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What begins as a jokey indie movie about post-college friendship turns into a nightmare, as three pals McGregor, Christopher Eccleston, feal Kerry Fox find their new roommate dead in his room with a suitcase full of money. They agree to chop up his corpse, bury it, and keep the money. Unsurprisingly, only terrible things follow from that decision.

Set in the 14th lookng during a period of civil war, the movie follows two women who lure soldiers to their death in the weeds and plunder their armor. When they attack a soldier wearing a peculiar mask, supernatural repercussions follow.

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The movie follows Will Logan Marshall-Greenwho attends a party hosted by his ex-wife that quickly turns into a pitch for a trendy new cult. As the night goes on, friendly pours of wine begin to feel a lot aprody menacing. Watch it on: Netflix Sistersdirected by Brian de Palma Brian De Palma parkdy many creepy, Hitchcockian thrillers in his day, but this early effort is one of his nastiest and most effective.

The proto-slasher follows the formerly coned oooking sisters Danielle and Dominique both played by Margot Kidder who get tangled up in a series of mysterious murders. De Palma plots out lurid surprises and creates suspense with fantastic split-screen flourishes, for example, playing the frantic cleanup of a murder scene alongside the arrival of the police. With its frank depictions of gore and sexuality, Sisters heralded the rise of the vivid, more transgressive horror of the s, pioneered by directors such as Craven, John Carpenter, and Tobe Hooper.

Watch it on: HBO Max or The Criterion Channel Cubedirected by Vincenzo Natali A man wakes up in Marrried mysterious cube-shaped room and opens a hidden door to another identical room, where he is promptly shredded by a trap into a gooey, fleshy pile of, well, cubes.

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So begins this sci-fi puzzler that has endured as a cult favorite because of clever, gross visuals. The film follows a group of prisoners stuck in parory futuristic cuboid prison, where they try to dodge inventive traps and discern the reason for their captivity. This low-budget piece of horror anticipated the rise of the escape room, later popularized by the Saw franchise, making simple bits of problem-solving weird and chilling. Written by Tracy Letts and based on his play, Bug is dank, disgusting, and at times pirno, leading the audience deeper into the delusions of two characters who are powered by anxiety.

This sublime piece of Marride was largely dismissed on release but is now regarded as a foundational movie for the goth subculture.

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The film follows a group of scientists in San Francisco who realize that humans are being destroyed and replaced by emotionless alien copies, a silent attack carried out with eerie placidity. Invasion of the Body Snatchers also happens to have one of the most distressing final scenes in cinema history. Despite the gruesome people-eating, Ravenous maintains a sly and witty edge as it descends into madness.

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Set in a middle-of-nowhere small town, Near Dark features a cast of characters who fit familiar archetypes—a young romantic Adrian Pasdar oarody, the beautiful drifter he falls in love with Jenny Wrightand the frightening gang of criminals he eventually finds himself tied up with. Lance Henriksen, a wild Bill Paxton, and Jenette Goldstein are the most charismatic of the grimy vampires who blow into town causing trouble.

Through them, Bigelow explores the appeal of escaping mundane circumstances—and the terror that can accompany freedom. When a werewolf attacks the older sister on the night she first gets her period, she starts to physically transform into a strange new creature. Fawcett and co-writer Karen Walton find horror and dark hilarity in the frightening changes that come with puberty. Every bizarre mental tableau she wanders through is as freaky as psrody last—the film is Inception if every dream sequence had the aesthetic of a Nine Inch Nails video.

The Ipcress File ()

While the screenwriting lookign sometimes excessively grim, the aesthetics are striking enough to make up for it. The Brood is a shocking work of body horror about looking therapist Oliver Reed helping a disturbed woman Samantha Eggar navigate a disintegrating marriage and custody battle; meanwhile, a mysterious, child-like figure commits a series of murders. In typical Cronenberg fashion, The Brood warps ordinary human coyples child-rearing and pregnancy into jaw-droppingly disgusting horror.

The pair move to Venice, Italy, for work, where a little figure in a red cloak, resembling the Married their daughter wore on her final day, stalks them around the canals. Roeg piles dread and despair on the grieving couple, as they try to escape their haunted existence. Watch looiing on: Available to rent The Slumber Party Massacredirected by Amy Holden Jones An underseen entry in the s slasher craze, The Slumber Party Massacre is one of the only serial-killer movies written and directed by a woman.

Initially intended as a parody by the screenwriter Rita Mae Brown, Amy Holden Jones transformed it into something more sincere, though still filled with winks at the audience. Following a group of coeds targeted by a drill-wielding maniac during a sleepover, the movie has all the standard gratuitous nudity and absurd gore, but ends triumphantly when the surviving ladies band together to take their attacker down.

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Based on a Clive Barker short story, Candyman follows a grad student Virginia Men who investigates the Rsal American urban legend of Candyman Tony Todda vengeful ghost who was murdered in the 19th century for his relationship with a white woman. The movie has intensely bloody moments and, in its grand climax, a lot of swarming beesbut I actually find the dread-filled first half to be the scariest.

Many other horror movies are more elaborately violent, but The Last House on the Left is a work of true emotional endurance.

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