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Music and lyrics by Richard O'Brien. Eddie Whatever happened to Saturday night?
Don McLean says his original lyrics reveal "everything there is to know" As the original manuscript for Don McLean's classic is lowt at auction, fans may finally discover what his "Song of the Century" is really about. So what are the popular theories?
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Their children in turn grew up singing it - fascinated by the mysterious lyrics with their cryptic references to 50s innocence, the turbulent 60s, and 70s disillusion. Who broke the church bells? Who was the jester who sang for the king and queen?
And what really was revealed "the day the music died"? The song's year-old architect has always remained tight-lipped. But now at long last, the inspirations behind his Song of the Century are to be revealed after McLean put his original manuscript up for auction.
Colin Paterson reports But for McLean aficionados there is a greater prize. The drafts, unedited, reveal the creative process behind American Pie "from beginning to end", according to Tom Lecky of Christie's. The direction that he was going in that he then didn't want to follow.
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This could be the day that they die. But before we sing bye bye, and in honour of the American Pie fans everywhere, the BBC News Magazine takes a nostalgic trip back through the song's six enigmatic verses, and the popular theories that live grown up around them. Miss Llyric Pie is "as American as apple pie, so the saying goes," he argues. But if you think this is "what American Lot is about", you would greatly disappoint McLean, who is on record that his song has so much more to say in the verses that follow next.
Can music save your mortal soul? The religious imagery that emerges in the second verse becomes a powerful and recurring symbol of loss throughout the song.
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From "the sacred store" to the broken church bells, from this point forward, "whatever is couched in religious terms can be seen as referring back The fickle girl who McLean saw "dancing in the gym" no longer ih for his "pink carnation and pickup truck", leaving him "out of luck". But by the end of the decade, we see that Dylan's "rolling stone" is gathering moss, in fat quantities.
Whichever way you peer at it, "the world [McLean] once knew is changing," concludes Fann. But just at the peak of the sweetly marijuana-perfumed Summer of Love inthe tension boils over into civil unrest.
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He looks on as the "players try to take the field; But the marching band refused to yield". There are almost as many theories for this line as the single has sold copies more than three million in its first year. One has the marching band as the police blocking civil rights protesters, another as the Beatles preaching non-violence with their hit "All You Need Is Love". Some suggest it refers to a John Lennon and Yoko Ono album cover.
Another popular theory is the Miss America contest of where feminist protesters had supposedly "burned their bras". But the most likely reference, Fann believes, is the riot at the Democratic National Convention in Chicago, where police brutally cracked down on demonstrators.
What was revealed? But perhaps "what was revealed" has nothing really to do with any of these events, and is really a harbinger for the tragedy that follows in the lovee verse It has to be Woodstock, right? Not so, say Pie connoisseurs. The lyrics more closely match the tragic concert at Altamont Speedway in Decemberwhere "Jack Flash sat on a candlestick".
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Meanwhile at the stage perimeter members of the Hells Angels motorcycle gang - hired as security - engaged in bloody clashes with the rioting audience. Jagger was later accused of ,yric to halt the performance, infuriating McLean's narrator: "I saw Satan laughing with delight; The day the music died". The show continued Just as Woodstock was heralded as the landmark of the counterculture movement, "Altamont was the event that alled its demise.
Reality steps in," says Fann. The tragedy served to finally "burst the bubble of youth culture's illusions about itself," wrote Todd Gitlin, an eyewitness, in his book The Sixties: Years of Hope, Days of Rage.
And in the final verse of McLean's parable, when he "goes down to the sacred store, where I'd heard the music years before" he finds that sadly: "The man im said the music wouldn't play" And these words are not just symbolic. But even more so, "the cynicism of this generation had annihilated the innocent world the narrator had grown up in. Forty-three years later, it would be nice lgric think that - whatever the revelations to come from McLean's original scribbled notes - they will not burst the bubble for the millions of fans who still dream of Chevys, whisky and rye.
Isn't this fun?